Woollenings about The Town

Preparations in the drawer at theGRID

Here’s a brief retrospect on my activities about The Town in the last six months or so. I would have put them out before, and should have, but making works is a lot more fun then putting thoughts and feelings into words and visual aids.

And remembering to take the photos, or have someone take them during the making process? Groan. In a completed related note, does someone want to do this in exchange for high fives and good vibes?

Working on the beanbag cover
 
Teaching a peep how to crochet
 
Made a headband for a coooool lady

Received these via post…I believe the expression may be…coals to Newcastle?

Feet, knitting and Grace

Bunting preparations

Some blurry shot

Let this be a lesson to all of you: don’t be in a relationship with someone who knows how to make any kind of apparel.
 
Back into a crochet. A blur of hooks and wools.
 
Didn’t think I was a huge fan of bombing growing things, but whatever. Happened once so now I know for sure.



Twisting horizontal stripes creates a candy cane effect…nice!

I really liked this one, until someone cut all the mushrooms off. Then, not so much.



This one disappeared the weekend it was put up.

Interstate woollenings in UK1

Had a bunch made up, and this grey old day helped me decide which ones would go where

Bunting!

About kellymarietheartist

I am an artist who, up until recently, was living and exhibiting within Toowoomba and the greater Granite Belt district. I have since packed up and left Australia, and am currently living and working in England. My work engages the craft involved in handmaking within a contemporary art context. I am drawn to the physicality of repetitive textile processes, and this is transcribed though the tactile quality of my forms. In particular, processes such as crochet, sewing and rug making serve as a proxy for growth within my personal environment. Many of my works imitate situations in nature, and they form organically as I create each individual piece, each addition both a continuation and re-enforcement of its predecessors. I enjoy using recycled materials for many of my works. Using crochet and other textile techniques to do this is an important part of my work as it celebrates a tradition of craft that has historically been relegated to 'women's work', with all the negative connotations that entails.
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